SIGNOS (1984)

SIGNOS (1984)

SIGNOS (1984) from Citizen Jake on Vimeo.

Signos (1984) is a Super 8mm film documentary that was a true product of its time, a collaboration by film artists and writers, who, in spite of varying political persuations, were united by one common goal – ousting the reviled Marcos regime. It features interviews of courageous personalities who challenged the autocratic rule of the Marcos family – like former senator Jose W. Diokno, journalists Joe Burgos, Letty Jimenez Magsanoc, and Ceres Doyo, activist nuns Sister Christine Tan and Sister Mariani Dimaranan, human rights lawyer Rene Saguisag, labor leader Ka Felicing Villados, film director Lino Brocka, Cardinal Sin, among others.

Because of severe media restrictions at that time, the film was circulated through home video which was fondly called called the ‘Betamax circuit.’ ‘Signos’ was compiled and edited by Mike De Leon at the same time as his feature film ‘Sister Stella L.’ In many respects, the two films influenced each other.

‘Signos’ was narrated by Jose Almojuela, and edited by Jess Navarro, Ding Achacoso and Jose Almojuela. Many cameramen shot footage for the film. Among them were Rody Lacap, Joe Cuaresma, Lito Tiongson and Ding Achacoso.

SOURCE

AAWWTV: Legacies of Marcos with Susan Quimpo, Chris Santiago & Noel Pangilinan

AAWWTV: Legacies of Marcos with Susan Quimpo, Chris Santiago & Noel Pangilinan

AAWW is a national literary nonprofit dedicated to the belief that Asian American stories deserve to be told. We host events in NYC and broadcast them here! Please support us by donating at https://aaww.org/donate so we can continue this work. You can also become a fanclub member and receive custom designed pins & stickers at https://aaww.org/fanclub/.

2:11 Chris Santiago reading
34:57 Susan Quimpo reading
1:36:20 Conversation with Noel Pangilinan
1:45:03 Q & A with the audience

We had a rare New York appearance by two out-of-town authors reading works about family turmoil, revolution, and the legacy of Ferdinand Marcos’s rule in the Philippines–a vital reference point to anyone thinking today about authoritarian rule and resistance. Seven members of Susan Quimpo’s family joined the anti-Marcos resistance. Both history and a moving personal story, her book Subversive Lives: A Family Memoir of the Marcos Years tells their powerful saga of revolution and family turmoil and vindication. Second-generation Pinoy poet Chris Santiago writes about uncles who fought against Marcos in his new poetry collection Tula, which explores immigrant identity, the landscape of the Philippines, and the material texture of Tagalog. The event was moderated by professor and journalist Noel Pangilinan, the editor of AAWW’s Open City and himself an activist during the Marcos era.

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AAWW is a national not-for-profit arts organization devoted to the creating, publishing, developing and disseminating of creative writing by Asian Americans–in other words, we’re the preeminent organization dedicated to the belief that Asian American stories deserve to be told.

We’re building the Asian literary culture of tomorrow through our curatorial platform, which includes our New York events series and our online editorial initiatives. In a time when China and India are on the rise, when immigration is a vital electoral issue, when the detention of Muslim Americans is a matter of common practice, we believe Asian American literature is vital to interpret our post-multicultural but not post-racial age. Our curatorial take is intellectual and alternative, pop cultural and highbrow, warm and artistically innovative, and vested in New York City communities.

Our curatorial platform is premised on the idea of a big-tent Asian American cultural pluralism. We’re interested in both the New York publishing industry and ethnic studies, the South Asian diasporic novel and the Asian American story of assimilation, high culture and pop culture, Lisa Lowe and Amar Chitra Katha, avant-garde poetry and spoken word, journalism and critical race theory, Midnight’s Children and Dictee. We are against both an exclusive literary culture that believes that race does not exist and Asian American narratives that lead to self-stereotyping and limit the menu of our identity. We are for inventing the future of Asian American literary culture. Named one of the top five Asian American groups nationally, covered by the New York Times, the Wall Street Journal and Poets & Writers, we are a safe community space and an anti-racist counterculture, incubating new ideas and interpretations of what it means to be both an American and a global citizen.